Skip to main content

A synthesis of Savitri and Theosophy - Painting No 15

 Today we continue to contemplate on the remaining lines from Page 5 of the Symbol Dawn of Savitri. 


"Here too the vision and prophetic gleam

Lit into miracles common meaningless shapes;

Then the divine afflatus, spent, withdrew,

Unwanted, fading from the mortal’s range.

A sacred yearning lingered in its trace,

The worship of a Presence and a Power

Too perfect to be held by death-bound hearts,

The prescience of a marvellous birth to come."


'Here' stands for our ordinary human world where the vision and prophetic brief light of Goddess lit the ordinary shapes miraculously into divine meaning for few moments. But then the divine creative impulse or inspiration was spent and feeling unwanted withdrew and faded from the range of mortal men. Once gone it left behind a sacred yearning in the hearts of those later realized what had happened. The presence and Power of Divine Goddess was too perfect to be worshipped to be held steady by death-bound hearts of ordinary mortals. The Dawn-Goddess carried the foreknowledge of a Divine Avatar or Saviour (Savitri) to come in the future on her divine mission to sacrifice herself in order to save the soul of humanity (Satyavan).     


"Only a little the god-light can stay:

Spiritual beauty illumining human sight

Lines with its passion and mystery Matter’s mask

And squanders eternity on a beat of Time."


Again only a little light of the divine presence can stay with men for a little time. The beauty of divinity casts light upon the mask of Matter and reveals for a moment the mysteriousness of the marvel of indwelling divinity hiding beneath the veil of matter. The riches of the eternity are all spent in one short moment of revelation.  


"As when a soul draws near the sill of birth,

Adjoining mortal time to Timelessness,

A spark of deity lost in Matter’s crypt

Its lustre vanishes in the inconscient planes,

That transitory glow of magic fire

So now dissolved in bright accustomed air."


In these lines, a picture of soul descending from the psychic planes (more accurately from the devachan of theosophists) is being painted. It is coming near the threshold of birth where a transition from Timelessness to mortal time is being made. As this transition is made, its fire of divinity is forgotten in the tomb of material world hiding the light of higher planes. It has entered lower planes of matter where its shining light vanishes. With this transition the passing glow of magic fire cannot last long and gets dissolved in the ordinary air of the human world.     


"The message ceased and waned the messenger.

The single Call, the uncompanioned Power,

Drew back into some far-off secret world

The hue and marvel of the supernal beam:

She looked no more on our mortality."


The Goddess delivered her message, and now the message ends with the messenger like a waxing moon fades away. Her Call to evolve into a higher state of consciousness and Power that works alone unaccompanied withdrew into some secret far-off world. The astonishing heavenly tone of celestial dawn is drawn away from our mortal world. 


"The excess of beauty natural to God-kind

Could not uphold its claim on time-born eyes;

Too mystic-real for space-tenancy

Her body of glory was expunged from heaven:

The rarity and wonder lived no more.

There was the common light of earthly day."


The eyes of ordinary mortal men were blinded by worldly material glamour and the native beauty of Divine-Goddess could not be imposed on them for long. Her unrestrained glorious body was too real in a mystic sense to dwell on the earthly space and was wiped out into the common light of an every-day light. The unique awe unfortunately vanished from the daily earth scene. 


The Mother guides Huta with a sketch of the vision of the feet of Divine-Goddess vanishing into the sky from a common earth scene underneath and then Huta paints it in her studio.


A theosophical synthetic perspective:


The picture of Dawn-Goddess could be symbolic of those divine messengers of the Brotherhood of Masters (starting with Blavatsky, followed by Sri Aurobindo, Alice Bailey and many more) who were born on earth renewing the ageless wisdom at the dawn of an aquarian age. Their message is essentially same as that of the Dawn-Goddess regarding the prescience of future coming the Christ-Kalki-Boddhisatva Maitreya or World-Teacher to assist the souls ready for next stage of evolution into the sixth race (of Blavatsky), or supermind race (of Sri Aurobindo) or new age synthetic man (of Alice Bailey and Cedercrans) or agni-yogis (of Roerichs and Vicente Beltran Anglada) in order to master the lesson of synthesis. This is symbolic of the coming of Savitri to save Satyavan as portrayed by Sri Aurobindo in his epic mantric poem.



Comments

Popular posts from this blog

Seeds of synthesis

Some of the seeds of synthesis I have discovered (experiments are ongoing to give fair consideration and enlighten ourselves) so far between sciences, religions, philosophies are listed below for the lovers of truth and wisdom - Synthesis of mathematics - Category theory (Grothendieck, Saunders Maclane) Synthesis of religions - Theosophy (Helena Blavatsky) (A mathematical expression of the law of Karma or cause and effect is in my thesis) Synthesis of philosophies and Human Knowledge itself - A treatise on seven rays (24 Books of Djwal Khul and Alice Bailey) Synthesis of pyschology - Psychosynthesis (Roberto Assagioli), Humanistic astrology and soul-centred psychology (Dane Rudhyar, Alan Oken) Synthesis of ancient systems of Yoga - Synthesis of Yoga (Sri Aurobindo),Auroville (Experiment of synthesising city), Agni Yoga (Nicholas and Helena Roerich) Synthesis of agriculture - Permaculture (Masanobu Fukuoka) Synthesis of signal representation - Functorial Signal Representation Synthesi...

The Yoga of Synthesis Diary Leaves 4

 Album The Yoga of Synthesis  Dated 22 January 2025 The Yoga Sutras of Patanjali give us four stages of meditation and when applied on symbols we find: 1. First, as the form is pondered upon, the realisation begins to dawn that it is but a symbol of an inner reality. 2. Second, there is a recognition of the quality or nature of the form—its subjective energy, the quality of the force that seems to flow through it, the emotion that the symbol arouses. 3. Third, as we concentrate on considering the quality, we arrive next at the purpose, the motive, and the idea that the symbol has held concealed. 4. Fourth, in the final stage of identification, one becomes at one with the symbol; one shares its quality; one participates in its purpose, and through these stages one arrives at a unity with the creator of the form. When applied to the four symbols (of Helena Blavatsky, Sri Aurobindo and The Mother, Alice Bailey, and the category-theoretic model of Cause-Meaning/Quality-Effect), we...